But the Lomo is more than just a cool camera--it's part of a worldwide community and a refreshingly new artistic movement, Lomography, that encourages even nonartists to be creative. The philosophy is to be quick, don't think, be open to your surroundings, absorb everything, and enjoy communicating. The Lomo craze started in the Viennese underground scene and rapidly expanded until all across the globe people became armed with Lomos, recording everything in bright colors and strange shapes. There are major Lomo exhibitions and events around the world. And famous folks such as David Byrne, The Verve, and Yassir Arafat own Lomos.

When we first heard of the Lomo, the hype and über-hipness made us quite skeptical. How could this little Soviet camera create such a stir? But we fell for the Lomo as soon as we got the package, which includes a little German hardbound book of Lomographs (plus the English translation) and two rolls of Lomo brand film--along with the "What the hell is Lomo?" instruction manual.

After we used the Lomo for a week or so, it became quite obvious why folks were raving about it--the Lomo allows for an unprecedented amount of creativity, and (most importantly) it makes photography inexpensive and easy.

The secret to the Lomo is its superb light meter and its exposure method--it exposes film for however long is necessary. This results in amazing night photographs, with glowing neon, streaking lights, ghostly people, and a real sense of motion. Daytime shots are equally interesting, filled with color and accentuated by the Lomo's slight distortion and tendency to darken photos towards th