Description
Step up to the professional grade Panasonic LUMIX GH5S C4K mirrorless camera that offers over 29 LUMIX and LEICA compact lens options built on the next-generation (ILC) interchangeable lens camera standard (Micro Four Thirds) pioneered by Panasonic. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording* with unlimited recording. The GH5S comes pre-installed with 4K HDR Hybrid Log Gamma and Panasonic’s V-LogL along with professional grade exposure tools such as Time Code sync, Waveform, Vector Scopes and programmable Zebra patterns. The LUMIX GH5S supports important recording features like 14bit RAW, dual native IS0, Panasonic XLR mic adaptor support and the return of multi-aspect capture. A high-resolution 21mm, 0.76x OLED eye viewfinder (3680K-dot) matches up to exactly how you intended to see the image even under direct sunlight. For connectivity convenience, the GH5S includes a full size (Type A) HDMI terminal, TC In/Out/Synchro Terminal (via included BNC cable), USB-C 3.1 Socket, twin SD Card slots (UHS-II U3 compatible), 2.5mm remote socket and 3.5mm microphone & headphone terminals. *Use of SD memory card with video speed class 60 or higher is recommended for 4K All-Intra video recording. Operation is confirmed with Panasonic SD memory card with video speed class 90.
PANASONIC LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black)
Price is below average
Current Price
$1 567.74
Average
$1 933.18
Min Price
$500
Max Price
$2 456.49
Price dynamics
19%
Description
Step up to the professional grade Panasonic LUMIX GH5S C4K mirrorless camera that offers over 29 LUMIX and LEICA compact lens options built on the next-generation (ILC) interchangeable lens camera standard (Micro Four Thirds) pioneered by Panasonic. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording* with unlimited recording. The GH5S comes pre-installed with 4K HDR Hybrid Log Gamma and Panasonic’s V-LogL along with professional grade exposure tools such as Time Code sync, Waveform, Vector Scopes and programmable Zebra patterns. The LUMIX GH5S supports important recording features like 14bit RAW, dual native IS0, Panasonic XLR mic adaptor support and the return of multi-aspect capture. A high-resolution 21mm, 0.76x OLED eye viewfinder (3680K-dot) matches up to exactly how you intended to see the image even under direct sunlight. For connectivity convenience, the GH5S includes a full size (Type A) HDMI terminal, TC In/Out/Synchro Terminal (via included BNC cable), USB-C 3.1 Socket, twin SD Card slots (UHS-II U3 compatible), 2.5mm remote socket and 3.5mm microphone & headphone terminals. *Use of SD memory card with video speed class 60 or higher is recommended for 4K All-Intra video recording. Operation is confirmed with Panasonic SD memory card with video speed class 90.
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Product review & video
[Music] on the surface this is not a camera that makes any sense it takes the hybrid approach in the opposite direction of most mirrorless cameras putting more emphasis on video rather than still photography it's an approach that will make it appeal to fewer people and yet that's also what makes it so good it is uniquely panasonic a result of years of refinement made to the video modes of its cameras ever since 2010's gh2 became a surprise hit with videographers so the gh2 was kind of this secret legend among filmmaking circles people were hacking the firmware to get higher bitrates out of it and of course adapting all kinds of lenses onto it thanks to the versatility of the micro four thirds mount and really the kind of cool thing about this is that panasonic looked at what was happening and said hey why don't we just build the camera that all these people are trying to turn our camera


