Description

Until recent years, archival film storage had been associated, at least in the public mind, with museums, government agencies, libraries, or other institutions concerned with the preservation of photographic records; however, other users of photographic film, such as commercial photographers, printing houses, publishers, and schools, have long been concerned with how best to ensure permanence of their irreplaceable photography. A sophisticated generation of amateur photographers who observed how time, humidity and casual storage damaged valuable slides and prints, nowadays, have converted to using archival storage techniques. They, too, appreciate that a picture good enough to keep is good enough to keep forever. Exclusive thin backing coupled with high clarity provides excellent resolution when proofing without removing negatives from the preserver. No other manufactured preserver has this feature. Also, continuous seams eliminate the problem of negatives hanging up in the sleeve itself. You can literally load and unload Print File preservers easier and faster. The Exclusive Hanging File System is designed specifically for hanging photographic records in standard file drawers or file boxes. Simply slide the hanger into the preserver's I.D. strip, and it's ready for hanging. And you don't need to be a professional photographer to keep your negatives, prints, slides, and transparencies permanently protected. While you might not be able to maintain an o

Print File Ultima Archival 35mm Size Negative Pages Holds Six Sleeved Strips of Six Frames, Pack of 25, #ULT356BXW

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Product review & video

[Music] hey guys welcome back to the channel i have another video for you today it's going to be a short and sweet one on how i archive my film negatives and i've received quite a few questions on this recently and honestly it is something that when you're starting out with film you don't really know if you need to do you send your film into a lab and you don't know if you should get your natives back if you should have your lab toss them or if you do want to get your negatives back your lab usually gives you all kinds of different options whether you want them cut not cut cut to a certain amount and honestly there's a lot of uncertainty if you're just getting into film and often times you don't know what to do i know when i first sent my first few roles in to the lab i had no clue what to do so i actually didn't even get my negatives back and i'm very bummed about that because some of