Description
The SLR Magic Anamorphot 2x 50 is a anamorphic lens adapter designed for cinematography. Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 2x to allow maximum utilization of the cameras' sensor, especially those of "full frame" dimensions.Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 2x to allow maximum utilization of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 4:3, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus, "near" and "far".This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh (great with the use of the optional +1.8 diopter), for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter.This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light s
SLR Magic Anamorphot 2X 50 Anamorphic Adapter
Price is below average
Current Price
$1 199
Average
$1 206.07
Min Price
$1 099
Max Price
$1 288.2
Price dynamics
1%
Description
The SLR Magic Anamorphot 2x 50 is a anamorphic lens adapter designed for cinematography. Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 2x to allow maximum utilization of the cameras' sensor, especially those of "full frame" dimensions.Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 2x to allow maximum utilization of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 4:3, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus, "near" and "far".This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh (great with the use of the optional +1.8 diopter), for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter.This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light s
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Product review & video
welcome back ladies and gentlemen for the second episode of the SLR magic anamorphic series i'm chitta fellows and in this episode I'm gonna ramble about the anamorphic 2.0 if you haven't yet I strongly advise you to watch last week's video because there are some key aspects shared by both lenses plus SLR MAGIX guidelines that I won't repeat because these videos are already too long the anamorphic 2.0 has a more anamorphic II feel with two times stretch making over okay much more noticeable it's also much heavier and larger than the 1.33 weighing around 500 grams with still 62 millimeter rear threats and 77 millimetres front threats alignment is identical to the 1.33 with the reverse lock ring which is pretty awesome but getting it aligned properly is trickier because you can't just trust the white line you should check with flares every time it features the near normal dial but Andrew


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